Merry Christmas.

For all your oh-my-god-i-forgot-to-buy-wrapping-paper-wrap-presents-and-it's-christmas-eve needs: A tutorial I found via this very lovely blog.

Happy Christmas :)

Over the river and through the woods...

Okay, so more "across the pond" or even really, well, across the Atlantic Ocean for that matter. We're off to the western hemisphere tomorrow and I wanted to be prepared.

See, travelling to and from the US and the UK is a bit of a hassle for us because we have 3 passports and one visa between us. (The Australian carries Australian - duh - and British passports and I have American citizenship and a UK visa.) All this requires us to carry an ungodly amount of identification with us when we travel. Seeing as how immigration procedures make me nauseous, and I have a panic attack at least five times in any given journey thinking I have dropped or lost something, I decided this time I wanted all of our docs super-safe.

Of course, I didn't decide this until today (flight's tomorrow - gah!). So I felt the need to whip something up myself. Basing the design on this very cute tutorial, I improvised a bit and added an extra bit of security so that nothing can fall or slide out. I also made it so that it can accommodate "his and her" documents. One other modification I made was to add a few sheets of newspaper as a lining so that it's a bit sturdier.

So I think it came out ok for a last-minute project that took less than an hour. I might make some more of these in the future - I can see using quilting techniques - and hey, maybe even cutting in a straight line next time so it doesn't come out quite so wonky ;)

Staying cosy.

On one of my parents' visits to London, my mom got it in her head that we must visit the Tea Museum. Now not many people have heard of this particular institution, not even most Londoners. Let's say that at the time, it was an underwhelming experience. Luckily it looks like they are closed for refurbishment, which can only mean good things, right? Actually I am pretty interested in how certain objects or items can hold a whole lot of social history within them, and tea is no exception, so maybe a re-visit will be in order one day.

My mom however left the museum empty handed, even though I am pretty sure she was hoping to come away with a lovely teapot. So for Christmas this year, I decided to get her one - from a shop that sells English-made pots in Covent Garden. And what teapot worth it's Marks and Spencer Fairtrade Gold doesn't deserve to be cosy?

I used this Tea Mitten by Elisabeth Kleven from Ravelry and based mine on another raveler's version which incorporated the smocking. I am pretty pleased with the result - and hopefully mom will too. (Don't worry, I'm not giving any surprises away as she doesn't read the blog!)

Last Minute Gifts.

I caught the embroidery bug from a friend, who made an amazing Lung Tie for her pulmonologist dad.

Thinking of something I could throw in alongside small gifts for some girlfriends, I first thought "tea towels" but when I couldn't find plain tea towels worth embroidering, I picked up a set of 3 handkerchiefs instead. Here are the finished products:

They are actually a bit more cute-sy than I might have preferred, but hey, they are still cute! This was my first "real" attempt at embroidery, I and I don't think they're too bad!

This is the first one I did, and probably my favourite:

It's design is from a set of transfers from Sublime Stitching. As I'm in the UK, I picked mine up at the cool store Tatty Devine. (They had a very limited stock at the Covent Garden store.)

WAIT: Just discovered you can download designs from Sublime Stitching by registering on their website - then print! I so wish I had discovered this sooner!

The next one I did was this owl - the design for which I found on this illustrator's website. With this one, I printed it out and then used my husband's lightbox (hooray for being married to a graphic designer!) to trace out the design in pencil onto the hanky.

I did the same for the last one: a slightly wonky matryoshka doll based on this project on cutoutandkeep.net.

All in all, not a bad start on embroidery I think! I hope the recipients will enjoy them - at least I've got them other things to go alongside these just in case ;) I think there is a lot more embroidery in my future - especially now I've discovered those downloadable patterns!

Now off to go and ogle all the snow falling outside the window (again!).

London snow.

While back on my original home of the east coast of the USA they are being inundated with snow, here in London we've just had a light dusting (although a wet snow is currently falling outside my window).

I walked through the local park yesterday morning and captured this scene on my camera:

As I have yet to leave the house today (not wanting to have cold feet and all) I have been contenting myself with mugs of hot chocolate and some last minute Christmas crafting.

Potential.

I recently received a truly lovely and unexpected gift. It got me thinking about skeins of yet-to-be-used yarn.

There it is, all bound up, the colours beautifully arranged - twisted, wound, tucked. When I look at a skein of yarn, I get excited - what could I do with it? A new skein means researching patterns on Ravelry, thinking if I could make something up myself, wondering if it should be gloves, a cardigan, a brooch. A skein has so much potential.

That reminds me of a quote that I love, but that's a little bit scary too:

If I were to wish for anything, I should not wish for wealth and power, but for the passionate sense of potential - for the eye which, ever young and ardent, sees the possible. Pleasure disappoints; possibility never.

-Soren Kierkegaard

It's true, I often enjoy the looking forward, or the getting excited about something, more than the end result. Do you enjoy wearing your knitted garments as much as you enjoy knitting them?

I looked up the word potential in the Oxford English Dictionary:

Potential

A. adj.

1. Possible as opposed to actual; having or showing the capacity to develop into something in the future; latent; prospective.

B. n.

2. Something which is possible, as opposed to actual; capacity for growth, achievement, future development or use; resources able to be used or developed.

and then potent:

Potent

A. adj.¹

^{1. a. Of a person or thing: powerful; having great authority or influence; mighty. Now chiefly in literary usage.}

^{2. Of a drug, alcoholic drink, etc.: causing physical effects; causing rapid intoxication; strong.}

Interesting. I know that gorgeous skeins of yet-to-be-used yarn do tend to have intoxicating effects on knitters - anyone who's been to a fiber show has witnessed that. As for "of a drug, alcoholic drink, etc" - there's a reason why knitter's call their collection of yarn their "stash" after all.

Right now I now have a lot of "potential". And so far Kierkegaard's right - possibility doesn't disappoint.

How to: the Anthro Ruffled Scarf.

I am so happy about the response I have gotten from fellow Ravelers on my Anthropologie-inspired scarf! There have been a few requests for my notes on how I did it, and so I thought I'd write it all out here for you. If you decide to knit the scarf, there is also now a pattern page for it on Ravelry here: Anthropologie-Inspired Ruffled Scarf.

Anthropologie-Inspired Ruffled Scarf

Materials:

• Approximately 4 skeins of Cascade 220 (100% Peruvian Highland Wool/Worsted/10 ply/220yds/201m per skein)
• One set of 5.5 mm knitting needles
• Cable needle
• One 5.5 mm crochet hook
• A sheet of paper folded over itself width-wise to create a 2.5" strip
• Tapestry needle

Gauge: 25 st and 20 rows = 4" in k1, p1 ribbing

Finished Measurements:

• Scarf without crochet border: 87" x 5"
• Scarf with crochet border: 89" x 9"

Pattern notes:

C10F = Slip 10 stitches to cable needle, hold cable needle in front, work 10 stitches in (k1, p1) ribbing, work 10 stitches from cable needle in (k1, p1) ribbing

C10B = Slip 10 stitches to cable needle, hold cable needle in back, work 10 stitches in (k1, p1) ribbing, work 10 stitches from cable needle in (k1, p1) ribbing

Main Knitted Scarf Instructions:

The scarf is worked in a 1x1 rib with a garter stitch border on either side. Cables appear every 15 rows. The border is worked in broomstick crochet, without twisting the loops. More detailed information below.

With 5.5 mm needles, cast on 44 stitches (I like a tubular cast on).

Row 1: slip 1, k1, (k1, p1) to last 2 stitches, k2

Repeat this row 9 times more for a total of 10 rows.

*Cable row 1: slip 1, k1, (C10F) twice, k2

Repeat row 1 14 times

Cable row 2: sl1, k1, work 10 stitches in (k1, p1) ribbing, C10B, work 10 stitches in (k1, p1) ribbing, k2

Repeat row 1 14 times.*

Work from * to * 9 times

Repeat Cable Row 1

Repeat Row 1 14 times

Repeat Cable Row 2

Repeat Row 1 10 times

Bind off.

Crochet Ruffle Border Instructions:

If you haven't done broomstick crochet before, I suggest that you check out any of the youtube videos that give a visualisation of how to do it. It is really easy, but not unless someone shows you how it's done first. You may notice that the loops are twisted together in these videos, however in this version, you will not twist the loops. You may also notice that in these videos, crocheters often use something to hold the loops as they go around. I just used a strip of folded paper, described below.

Take a sheet of A4 or letter-sized paper and fold it width-wise to create a 2.5" wide strip - you will use this to place the crochet loops on to create uniform-sized loops as you go around. Don't worry when there isn't enough space on the strip to hold the loops you are creating; once they start falling off the end of the strip, they will stay uniform in size. You just need to keep the most recent loops on the strip so they don't pull and change in size. You could use a ruler or a piece of cardboard of the same size if you like.

With 5.5 mm crochet hook,start at one corner of the scarf (it doesn't matter which side of the scarf you work from, as it is reversible). Insert the hook into a knit border stitch and draw up a loop. Place the loop on the strip (the strip should be turned horizontally now, as in the photo below.

Continue around the scarf, drawing up a loop for each knitted stitch along the short edge of the scarf, and along each row of the long edge of the scarf, placing the loops on the strip, and moving the strip along as you go. Once you have drawn up these loops around the edges of the entire scarf, single crochet at the top of each loop all the way around. Do not twist the loops. This will secure all the loops together around the scarf. Try to lay the scarf out completely flat as you do this, so that the single crochet stitches are all in approximately the same place on each loop. You will also want to watch out that you don't miss any loops as they can sometimes get lost - check both sides of the scarf every now and then to make sure you haven't missed any. Once you have single crocheted around the scarf in each loop, slip stitch to join the last stitch made to the first stitch. Fasten off and weave in ends.

Okay, so I think that's it! If you find any mistakes in the pattern (especially as I wrote it down from memory, rather than as I knit it), please feel free to let me know!

Really and Truly Literary Knitting.

An amazing thing happened last night - yarn and books came together in a way I couldn't have imagined being any better: a "Knitting Extravaganza" in an antique bookshop.

I heard about this over on the Stitch and Bitch London board on Ravelry - " a special yarn sale in an antiquarian Georgian bookshop opposite the British Museum." Um, yes!

So I made it over there on my way to my London Thanksgiving alternative: Japanese food with my cousin. On my way there,

I was thinking, "Oh this will take maybe 5 minutes or so...", not realising that I was about to step into this:

It was so lovely - hanks of gorgeous yarn, the gold from the Georgian books sparkling on the shelves, the soft bookshop lighting, the lovely people showing off the fibres - it was heaven! I could have bought loads (and believe me, I wanted to) but settled on one skein of Louet Gems Fine/Sport Weight - a yarn that's not readily available in most London yarn shops.

In fact, most of the yarns there weren't readily available in most shops, which is what made it so special. I got the impression that the event was run by the very nice ladies who do The Good Yarn Stall in Spitalfields Market on Sundays, but there was also a woman selling mostly Habu Textiles yarns and kits. And then there was the most amazing piles of chasmere, yak, and goodness knows what else.

I had to be basically dragged away by my very tolerant husband. Books, yarn and a knitting-friendly husband - all good things to be thankful for.

Mmmm... doughnuts...

I am up to a bit of a spring clean - about 7 or 8 months late, I know, but we are having people over for a little Thanksgiving celebration on Saturday (We are in England. Sadly no 2.5 days off from work.) and then a friend is coming all the way from Oz to stay for a while. It was time.

So, I am filing away stacks of unsorted mail, making stacks and stacks of books look tidy, scaring the dust bunnies out from under the sofa - and, of course, dealing with the untamed wave of wool, haberdashery and pages of knitting patterns that have engulfed the house.

This morning I decided that this major operation included everything down to the last, little pin. And so I made this:

Productive, no?

Anyway, I like it and it will make a nice little addition to my newly organised desk. (Not that I need justification or anything.)

It is: the Donut Pincushion by Nevadamama, made with scraps of yarn and stuffed with dried lentils and some other bits of unwanted yarn too.

Laundrette.

Just back from the laundrette. We have a washing machine, but it's not big enough for our duvet (or comforter, depending what country you're in) so I lugged it along to the one down the road. Plus, they have a big dryer which is handy too.

So the big duvet is in the big dryer and with my cup of tea I settle in to knit while waiting. There was an older lady waiting for her drying too (it seems that she had washed her clothes at home, but brought them in to dry...). She hadn't said anything to me previously, but when she saw me get the sock (Smiley Socks on Ravelry) on double pointed needles out she tried to catch my eye. I smiled at her and then she went into this super-friendly chatter about how she didn't think young people knit anymore and how wonderful it was to see me doing it.

It's not the first time I've had older women come out of their London-barriers to speak to me about knitting - it especially happens on the tube, and I'm sure I'm not the only younger knitter to have experienced it.

The woman was lovely. She told me about how she has knit since she was a little four-year-old girl in Bosnia and how she came to the UK in the 1950s, where she had her children and continued to knit for them. She asked me about the sock pattern I was using and said that she never uses patterns herself - that she can just look at a garment and either replicate it or do something her own way. She said she used to knit a lot, but has trouble finding the 2-ply yarns that she used to use. I told her that these can often be found online, although it seemed to me that wouldn't be much help to her. She said she also used to crochet, embroider, make table cloths, and outfits for her daughters. It seems strange, but it felt like, I, the young knitter, was inspiring her, the experienced knitter, to get back into it! She seemed really nostalgic, telling me about how when she came to the UK in the 50s, it was actually cheaper to knit things yourself than buy them. And I, in turn, told her about how I like to re-knit charity shop sweaters.

It was so lovely to speak to her - and it was nice for once to feel like I have nice neighbours here in the big city - I suppose knitting does that. Her husband came in not long after we started chatting and sat down next to me. "Oh, you are doing that very well, young lady. Are you making socks for your boyfriend?" Me: "Well, yes, for my husband." Him: "Your husband! Good girl." Although probably bordering on infringing on my feminist principles (not that there is anything wrong with knitting your husband some socks), he was very sweet and told me he had never seen an English woman knit on 5 needles before. He said that was the continental way. "But you are not English, are you?" When I explained where I was from he said, "Yes I knew you were not English," with a smile.

Then the conversation turned to the fact that I looked young to be married. "Are they not getting older before they marry in America?" I said oh yes, people are waiting longer before they get married, etc. etc. and the lady said, "Yes, you see, they get to have a life first, like the men always have! I was married very young and look where it's got me!" She pinched her husband's cheek.

"Oh you're very happy and you will have been very happy for 50 years soon!" replied the husband and she winked back. They were so cute.

I love hearing stories about knitting. Every knitted item seems to have a narrative, and now my sock will too. They soon left but had made me feel all warm inside. They wished me good luck with my sock and said, "See you next time!" It's enough to make me want to wash my duvet weekly.

November Sweater.

I am very excited to be writing this post: I have just finished making a sweater that I more or less made up myself! I know people mod and improvise their own patterns all the time, but not me - I usually follow patterns to the letter, not changing sleeve length, stitch pattern, or waist shaping.

But this was different - I was inspired so, without further ado: the November Sweater!

Now, as you might expect, this is not the most complex of patterns. What happened was, I was on my usual trawl through the charity shops of Ealing, looking for knitwear I could unravel and knit into something else, when I spotted a dark purple-y sweater that was a bit tired, but that I was sure I could breathe new life into. The original stitch was quite lacy (how I wish I had taken a photo of it in its original form!) but fairly easy to take apart. While undoing all those machine-made stitches, I thought about what to re-knit it into. Having seen a few cap-sleeved sweaters out there recently, that's what immediately sprang to mind. I thought a smaller, more defined lace pattern than what the original sweater had would also work.

So, I borrowed the lace stitch from the ever-popular February Lady Sweater, which, in turn, had borrowed from Elizabeth Zimmermann's Baby Sweater on Two Needles. I drew out what I hoped it would look like (excuse my extremely poor drawing skills):

It was basically just a basic T shape - the sweater would be worked in 2 pieces: front and back, and side to side so that the lace pattern would be horizontal in stead of vertical. There are no increases, no decreases, and probably the most advanced technique used was picking up stitches around the bottom of the sweater to add ribbing.

Now, not that it is necessarily required that I actually write out a pattern this unbelievably simple, here it is, posted more because of my little, private happiness at having done this on my own than for any assumption that anyone couldn't have figured this out themselves!

(Excuse the messy house behind me!)

November Sweater

Materials:

• A short-sleeved sweater's worth of approximately DK weight yarn (find an old sweater in your local charity shop or thrift store)
• One 26" 5 mm / US 9 circular needle
• One stitch marker

Lace Stitch Pattern:

Row 1: k1, k2tog, yo, k1, yo, ssk, k1

Rows 2 & 4: purl

Row 3: k2tog, yo, k3, yo, ssk

Instructions:

Front

Cast on 42 stitches.

Row 1: k2p2 - repeat to end of row

Row 2" p2k2 - repeat to end of row

Repeat rows 1 and 2 3 more times

Begin lace pattern.

Repeat lace pattern, rows 1 - 4 twice.

Cast on an additional 42 stitches.

Continue in lace pattern for 18" ending with a right side row. (Or width necessary for individual fit)

On wrong side row, bind off 42 stitches, leaving 42 stitches remaining.

Continue in lace pattern for two repeats.

Change to k2p2 ribbing for 8 rows.

Bind off all stitches.

Repeat exactly for back.

Seam sides of front and back together. Seam shoulders 5" in from end of sleeves.

Ribbing

With front and back sewn together, and starting from a side seam, pick up and knit 116 stitches evenly around the bottom of the sweater. Continue in k2p2 rib around for 2.5".

Bind off using Jeny's Surprisingly Stretchy bind off from Knitty - this is really necessary for actually being able to get the thing over your head!

Weave in ends, and voila! I "designed" a sweater.

Now it is entirely possible that there are mistakes in the above, and also that there a million better ways to achieve the finished product - but I do like the way it turned out.

Also, I apologise that I haven't actually worked out different sizes (as written, it works on a size 10 UK or 6 US). Clearly I am not yet that talented. One day...

And: the project on Ravelry.

____________________________________

Listening to: Alela Diane

Eating: Stuffed Butternut Squash (mmm)

Wales.

Where do I start?? So much happened in the last week while we were in Wales, that I don't think I'll be able to document all the lovely little moments in one post. Will another mosaic do? We took hundreds of photos. Unfortunately Murray forgot his Lomo, but we still got some good ones.

We started off driving west in our new little Fiat 500, which was a lot of fun because we are so used to taking public transport everywhere. Now, while I will be the first to sing the praises and benefits of public transport, it was so lovely to have our own little bubble of space to explore the country in. And it was nice to go somewhere without having to have my passport and visa, or to have to pack all my liquids in small bottles or checked luggage, or squeeze everything into an easily navigable suitcase, or wait in security queues, or ... well you get the idea. And most of the countryside we was so spread out that public transport wasn't really an option.

It only took about 4 hours to get from London to the Brecon Beacons National Park, where we set ourselves up in a little cottage adjoined to an old farmhouse run by the most lovely people that we have perhaps ever met. We explored the waterfalls in the park, enjoyed the most amazing views, and saw every castle and abbey in the surrounding area (no small feat, that).

We also went to some lovely little local pubs - which as a rule, seem to always have a cosy fire. My favourite meal was Welsh laverbread gnocci with leeks and cockles (how much more Welsh can you get?) and the cockles didn't scare me at all - in fact, they were delicious. (More on the British relationship with cockles here.) The best night we had was probably at the most local of all local pubs, which opens only in the evenings and closes, well, as one regular told me, "Whenever we stop drinking." Of course. They were so friendly in there they even asked us to join in their monthly quiz night, and while we didn't win, we like to think that we at least helped our team to get joint second place (there were only 3 teams...).

There was one wool shop stop (well, I found a few stalls in the markets, but this one was sadly the only one I found in the area worth buying from) and picked up some delicious Artesano Alpaca 4 ply which I plan to make into knee high Lakeside socks one day. As far as I could tell, the shops was only called The Cross Stitch Shop, but it was run by a really lovely, friendly lady in Llandeilo. (This friendliness did seem to be a real trend in Wales... maybe it was just that they weren't Londoners?)

After the Beacons (the castles, the cottage, the abbey, the waterfalls, the pubs) we made a snap decision to head down the coast to Tenby, a walled medieval city (well, town, I suppose - I learned on the radio that for a place to qualify as a city, it must have a cathedral...I guess Centreville, VA doesn't qualify then? ;) ). Tenby looked as though it would be lovely - candy coloured houses in a row on the seafront, pristine beaches, yet another ruined castle...but as it turned out, we arrived with the gales. At one point we were stuck in our B&B as the little Fiat couldn't make it through the flooded roads. I suppose it was all very atmospheric, and we didn't have to worry about this seaside town being mobbed with tourists, but it would've been nice if my Star Crossed Slouchy Beret could even stay on my head. But alas, the gale gods were not willing.

We did have a couple of hours while the rain let up to take some pictures and explore the grounds the B&B was set in - which in addition to the newly planted orchards and chickens running about, included a 12th century church with medicinal spring wells and Celtic remains from who-knows-when. I even braved the slippery rocks to have a taste of the water - very iron-y but apparently very good for you - pilgrims used to purposefully stop off here in the middle ages and it is said that a king (though I can't remember which) used to send for the water to be delivered to him specially.

Oh - so much more, but I'll let the pictures do the talking now:

The place where George Eliot wrote her first novel - note the For Sale sign. Buy it for me?

Alpacas(!) hanging out near Talley Abbey. Okay. I'll settle for an alpaca if I can't have George Eliot's house.

The lovely plant life at Aberglasney House and Gardens.

These tree roots made me want to sit down and knit something with a cable needle.

The slouchy beret staying firm at Carreg Cennen Castle.

And finally, a pair of pairs. I would not like to hear about the resemblance between the two. How did my shadow get so fat?!

Fingerless.

So while my fingers have been keeping busy, my hands have been staying warm :)

I finally figured out this mosaic hullaballoo, so here's my first one.

With winter practically here, I have been getting lots of requests for fingerless mittens. This is good, mainly because I hate knitting fingers. I cannot think of anything more tedious and fiddly. People are lucky to get thumbs, that's all I can say.

The mitts have been a bit of therapy for me really. Nice quick projects (most finished over one or two days) and usually I learn some new technique with them. (Warning: Lots of ravelry links coming.)

First there were the Dragon Scale Guantlets for myself. These were made using leftover yarn from my Soft Kid Bubble - Rowan RYC Baby Alpaca DK. These are so soft and snuggly - not to mention warm! - and aren't too scratchy to sit against my skin (see blog title above!). The pattern kept me pretty interested too, which can sometimes be a problem when I have to knit two of something (sleeves, socks, etc.).

Then there was my second-ever Dashing - a request from my friend Naomi, who was gifted the first set after I realised I really can't handle Kilcarra Aran Tweed on my arms. I used Rown Kid Classic on these - a yarn that's lovely and fuzzy, with a nice, soft stitch definition that produces pretty professional-looking results no matter what the pattern.

As you know from my last post, I have also been working on Eunny Jang's Endpaper Mitts. These are obviously going to be a bit more slow-going than the others due to the stitchwork, but I have run low on the Baby Alpaca DK (even more leftovers from the Soft Kid Bubble and Dragon Scale Gauntlets!) so may rip back and shorten the wrist portion.

Then there's Veyla. This used the tiniest amount of RYC Cashsoft 4-ply and is the extremely well-written pattern from Ysolda Teague. These were originally intended for my friend Lara's birthday present - she being an aficionado of all things Victorian, but I decided that the sheen from the yarn was a bit too much for these - if you look at Ysolda's original, the halo from her use of an alpaca blend is really what clinches the vintage look. So I stole the buttons off these and used them instead on...

The Plain Talk Ruffled Mittens by Laura Irwin (in the lovely book Boutique Knits). I think these are my favourite. I decided to not to go full-mitten (Lara's a smoker), so shortened the hand portion, adding some ribbing on the top and keeping the thumbs open. The ruffles are glorious, and the first thing Lara said when I gave them to her was, "How Victorian!" Mission accomplished.

I am off to Wales tomorrow for the first time and am looking forward to so much: walks in Brecon Beacons Nation Park with the Australian, cosying up in our rented cottage in front of the inglenook fireplace, wearing wellies in the mud, sitting in warm pub with a pint of cider, visiting the National Wool Museum... and knitting of course.

The Australian and I are both bringing our cameras (he his big SLR and the Lomo my dad gave him, and me my little digital Fuji) so expect lots of photos of our adventures.